I can’t remember if I’ve brought this to the blog in the past or not, so I’m going to assume it was just on Facebook and/or Twitter. Now that that’s out of the way, let’s talk about VERSE NOVELS!
What’s a verse novel? Maybe you know them as “novels in verse”. There are a few terms to use, but they all boil down to one obvious thing: They are novels written in verse (poetry) instead of prose (what everything else is written in).
Why do I enjoy them so much? That should be somewhat obvious. I’m a poet. I enjoy poetry. And you also know I enjoy novels in general. Once I discovered the magic of joining the two forms, I was hooked.
I first read a verse novel back in grade school. It was Karen Hesse’s OUT OF THE DUST. I remember talking about the fact that it’s written in blank verse, but that fact dissolved in my memory shortly after. I remember enjoying the story, but that was all. That is, until I rediscovered the form a few years back in Sonya Sones’ writing. I found out about her book WHAT MY MOTHER DOESN’T KNOW. I read it. Enjoyed it. Got hooked. I’ve since read all of her books (except one, because I don’t want to be without more of Sones to read) and from there, branches out into other authors work.
I have to admit that I’ve stuck mostly to Young Adult verse novels. It’s not completely by choice, though, partly it is. There seems to be a larger amount of verse novels for YA readers out there, compared to those for “adult” readers. I also think it’s a marketing thing because I’ve discovered a few adult titles are marketed as being poetry, but lacking take about the story aspect. Probably a few reasons for this, but I won’t speculate here. But back to my mention of YA novels. I think most of my recent YA reading has actually been done with verse novels. YA is already a pretty accessible type of book for anyone to get into, but adding in the verse form makes it even more so. And not in a bad way. I think it makes them “easier” to read while opening the story up to having a deeper message, emotional response, etc. Verse forces the author to be limited in word choice (in most cases), and I feel this makes every word used count that much more. The books may be fast reads, but I feel that I’ve gotten more out of them at times than prose novels because of the lack of words and focus on what really needs to be said.
On a less critical, and more fun note, I also like when authors play with the visual form in their verse novels. One author who does this in many different ways in all her novels is Ellen Hopkins. Her text isn’t restricted to the left side of the page. It’ll jump to the right, middle, and everywhere in between. The text placement lends to the reading of the lines and what’s being conveyed. Some of the connection between text and text placement can go over my head, even, but I don’t think her books would be as powerful if they were all left-aligned. That works for other authors, and there’s nothing wrong with that either. But at times, poetry needs to push itself across a page, be different, and stand out.
I hope I’m not alone in my love of verse novels. I do know a few of my readers have experience with them. Maybe some of you haven’t explored that part of the book world yet. I’m here to help. I’d like to close this post out with a list of verse novels I’ve enjoyed. Some of them are as recent as this week…and I’m planning on grabbing a few more from the library soon. They’re addicting!
- Sonya Sones
- Frances Lia Block
- Karen Hesse
- Helen Frost
- Ellen Hopkins
- Kimberly Marcus
- Melanie Crowder
- Maureen Flynn
- Jessica Bell