I’m not familiar with the mythology surrounding Galatea, but I am familiar with Madeline Miller’s writing. I knew from reading The Song of Achilles that Miller’s writing alone would be enough to make this story worth reading.
Because, as I said, I don’t know much about the myth that’s being re-imagined, I can’t comment too much on the liberties the author took. What I can comment on is that Miller’s writing drew me in from the beginning. It’s such a well-written and intriguing story to dive into. The narration by Galatea really made this what it is. We get information from her at just the right pace and the right time, letting the situation she’s living in unfold around us. She’s a woman carved from stone, and turned into a real woman. She’s a mother longing to see her daughter again. And a wife with a controlling and demanding husband…a husband who created her for his pleasure.
I won’t get into the plot more than that, or the different characters. I think I enjoyed going into this story not knowing that much.
Even though it was only a short story, it’s made me want to read more from Miller, the way I felt after reading The Song of Achilles last year. I’m hoping there’s more out there to discover, soon. There’s something enchanting about the reading experience.
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About the Author:
Madeline Miller was born in Boston and grew up in New York City and Philadelphia. She attended Brown University, where she earned her BA and MA in Classics. For the last ten years she has been teaching and tutoring Latin, Greek and Shakespeare to high school students. She has also studied at the University of Chicago’s Committee on Social Thought, and in the Dramaturgy department at Yale School of Drama, where she focused on the adaptation of classical texts to modern forms. The Song of Achilles, her first novel, was awarded the 2012 Orange Prize for Fiction and was a New York TimesBestseller. It has been translated into twenty-three languages including Dutch, Mandarin, Japanese, Turkish, Arabic and Greek. Madeline was also shortlisted for the 2012 Stonewall Writer of the Year, and her essays have appeared in a number of publications including the Guardian, Wall Street Journal, Lapham’s Quarterly and NPR.org. She currently lives in Cambridge, MA, where she teaches and writes.
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